{"id":203,"date":"2009-04-30T17:24:45","date_gmt":"2009-04-30T15:24:45","guid":{"rendered":"http:\/\/www.ljud.si\/slo\/?page_id=203"},"modified":"2009-12-05T21:19:08","modified_gmt":"2009-12-05T19:19:08","slug":"bolj-podrobno-o-invazijah","status":"publish","type":"page","link":"https:\/\/www.ljud.si\/slo\/elektricne-invazije\/bolj-podrobno-o-invazijah\/","title":{"rendered":"Bolj podrobno o invazijahThe invasions in more detail"},"content":{"rendered":"

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<\/strong>Elektri\u010dne invazije<\/span><\/em> so niz gledali\u0161kih posegov v javni prostor, s katerimi mlada produkcijska skupina Ljud<\/strong><\/em> <\/strong>nadaljuje svoja preiskovanja prostora med gledalci in nastopajo\u010dimi.<\/span><\/p>\n

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Na izbrane lokacije je ume\u0161\u010dena velika srebrna kocka<\/strong>, nenavaden gledali\u0161ki objekt, iz katerega izstopilo ve\u010dje \u0161tevilo raznolikih kreatur, svojevrstnih igralskih likov. Meje med izvajalci in ob\u010dinstvom se za\u010dasno zabris\u0161ejo in ustvarijo prostor za gledali\u0161\u010de kot igro, kot ritual, kot dogodek socialnega zdru\u017eevanja. <\/strong><\/span><\/p>\n

Vsebinsko se Elektri\u010dne invazije<\/em> posve\u010dajo problematiki (ne)komunikacije in (ne)sprejemanja druga\u010dnosti v kontekstu javnega urbanega okolja<\/strong>. Skozi spro\u0161\u010deno raziskavo \u00bbtukaj in zdaj\u00ab gledali\u0161kega dogodka avtorji vabijo gledalce k skupnemu preizpra\u0161evanju samoumevnih in utesnjujo\u010dih dru\u017ebenih konvencij, ki med\u010dlove\u0161ke odnose omejujejo na vsebinsko izpraznjeno, mehani\u010dno formo. Obiskovalci bodo znotraj gledali\u0161ke akcije aktivno soo\u010deni s \u00bbpotencirano\u00ab druga\u010dnostjo <\/strong>in se bodo imeli prilo\u017enost na spro\u0161\u010den na\u010din \u00bbspopasti\u00ab z lastno ksenofobijo. <\/strong><\/span><\/p>\n

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Model predstave ni zaprt gledali\u0161ki dogodek<\/strong>, ki se ponavlja, temve\u010d odprta organska forma<\/strong> s permutacijami in variacijami, katere nelo\u010dljiv del je tudi ob\u010dinstvo.<\/span><\/p>\n

<\/span><\/strong><\/p>\n

Akterji, ki izstopijo iz \u00bbneznanega plovila\u00ab, na svojo okolico reagirajo <\/span>v nasprotju z uveljavljenimi kodi\/pravili vedenja v javnih prostorih. Udele\u017eenci dogodka se tako znajdejo v situaciji, v kateri lahko de\u0161ifrirajo vedenjske vzorce tujcev\/drugih in<\/span> <\/span><\/strong>z uporabo \u017ee vzpostavljenih akterskih kodov ali s kreiranjem novih spontanih sistemov komunikacije<\/strong> z njimi stopajo v pristen \u00bbelektri\u010den stik\u00ab (termin S. Kosovela iz manifesta \u00bbMehanikom!\u00ab<\/em>).<\/strong><\/span> Na ta na\u010din \u017eelijo avtorji preusmeriti pozornost gledalca iz podro\u010dja prezentacije <\/strong>na podro\u010dje gledali\u0161ke komunikacije in interakcije <\/strong>ter tako razvijati poglavitne prednosti, ki jih ima \u00bb\u017eivo\u00ab gledali\u0161\u010de pred sorodnimi mediji kot sta film in televizija.<\/strong><\/span><\/p>\n

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Projekt Elektri\u010dne Invazije<\/em> na izviren in samosvoj na\u010din zdru\u017euje konceptualna izhodi\u0161\u010da gledali\u0161ke raziskave<\/strong> (preiskovanje igralskega lika kot osnovnega gradnika gledali\u0161ke realnosti, relativizacija meje med gledalcem in izvajalcem, uporaba javnega ambientalnega prostora kot vsebinskega elementa gledali\u0161ke predstave itn.) z aktualnim tematskim kontekstom (dialog z Drugim \/ invazija tujih bitij)<\/strong>, kar predstavi omogo\u010da, da stopa v stik z naj\u0161ir\u0161im mo\u017enim spektrom ob\u010dinstva. Tako projekt deluje kot trojanski konj, v katerem se pod plastjo priljudne, neobremenjene, igrive in nekonvencionalne javne intervencije skrivata poglobljena gledali\u0161ka raziskava in sodoben iz\u010di\u0161\u010den koncept, ki i\u0161\u010de prakti\u010dne odgovore na nekatera osnovna teoreti\u010dna vpra\u0161anja sodobnega gledali\u0161\u010da.<\/strong><\/span><\/p>\n

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[nggallery id=9]<\/p>\n

Avtorska <\/span>skupina Ljud<\/em> v preteklih treh letih aktivno deluje na podro\u010dju umetni\u0161ke produkcije v javnih prostorih. <\/strong>Gre za razvijajo\u010de se podro\u010dje uprizoritvenih umetnosti, ki se v slovenskem kulturnem prostoru \u0161ele odpira, v evropskem pa je \u017ee povsem uveljavljeno. Visoko raven umetni\u0161ke produkcije zdru\u017euje z dostopnostjo \u0161ir\u0161i javnosti<\/strong>, kar prepre\u010duje elitizacijo sodobne umetnosti in jo ohranja v \u017eivem stiku s sodobno dru\u017ebeno stvarnostjo.<\/span><\/p>\n

Elektri\u010dne invazije<\/span><\/em> predstavljajo sintezo ve\u010dletnega dela z izvajalci<\/strong>, ki so v razli\u010dnih projektih preiskovali potenciale neposrednega stika z ob\u010dinstvom \/ ru\u0161enja \u010detrte stene<\/strong>, gre za podro\u010dje, ki je (kljub razvoju v preteklem stoletju) v sodobni gledali\u0161ki praksi \u0161e vedno bolj izjema kot pravilo. <\/span>Svoje interaktivne,<\/strong> fizi\u010dno stilizirane like<\/strong> so izvajalci oblikovali z uporabo izvirnih eklekti\u010dnih metod<\/strong>, ki jemljejo izto\u010dnice pri na\u010delih Commedie dell’arte, Meyerholdovi biomehaniki, metodah Grotowskega in Butoh tehniki.<\/span><\/p>\n

TEHNI\u010cNI RAJDER >><\/a><\/h3>\n

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Posnetka dveh manj\u0161ih akcij – odvodov Elektri\u010dnih invazij v Sodelovanju z Ja\u0161o Mrevljetom in Sweet House productions:<\/strong><\/span><\/p>\n


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<\/object>
\nDvorni bar<\/a><\/strong>
\n<\/a><\/em><\/div>\n
aaa<\/span>
\n<\/em><\/div>\n
<\/object>
\nNight Alien invasion<\/a><\/strong>
\n<\/a><\/em><\/div>\n


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<\/em><\/p>\n

“Mechanisms can not die because they have no souls. The paradox is incomprehensible to the mechanic, because it exceeds the laws of mechanics. The paradox is a jump from mechanics into life. The paradox is alive like electricity. Electricity is not mechanic. So let us not be mechanical, but let us be electric.”<\/em><\/p>\n

S. Kosovel<\/em><\/p>\n

The creators of the project use various ambiental spaces, with specific architectural and urbanistic characteristics, and place in them an unusual theatrical object, a large silver cube with tubular roots<\/strong>. This object, with its unearthly appearence, larger dimensions (3x3x3m) and disfunctional placement in the space, functions as a foreign element in stark contrast with its surroundings. While at the same time undermining the standard orientation, perception and functionality of the space.<\/p>\n

“The cube” uses subtile audio-visual effects which eminate from it, to arouse interest and expectation in accidental by passers. A UFO that has crashed on earth, an alien object that has unexpectedly found itself in a familiar space. A provocation or even a threat, that anounces the coming of the unknown.<\/p>\n

<\/strong><\/p>\n

A timer device its surface counts down like a time bomb before the start of the theatrical action<\/strong>, the time before the catastrophy, apocalipse or salvation…<\/p>\n

When the audience is gathered and the last seconds have ticked away… it happpens… the first “alien” head<\/strong> apears. Every bit as surprised as the assembled audience members. Then a further six strange pink aliens<\/strong> will hatch out from the unusual craft.<\/p>\n

<\/strong><\/p>\n

The newcomers <\/strong>explore the strange new planet. <\/strong>And while they try to deal with the surrounding objects (floor, trees, garbage bins, benches) the audience will be able to understand the basic mechanisms of their interactions and forms of communication.<\/p>\n

The surprising reactions of the characters move freely beetwen atmosferic lyricism and situational comedy. At the same the interactions beetwen them and the objects around the craft serve as an uverture to the moment when the beings suddenly become avare of the people surrounding them and engage in an “electric” interaction with the audience.. <\/strong><\/p>\n

[nggallery id=9]<\/p>\n

With the use of improvisation, animation and other interactive theatrical methods the performers open a true and unpredicatble dialogue with the audience members. The border beetween the performers and the observers is temporarily blurred. <\/strong><\/p>\n

The goal of this controled theatrical “experiment” is to establish an open form of theatre in which everyone can become actively involved and thereby take part in shapeing the final structure of the performance.<\/p>\n

On every chosen location a theatrical event, lasting several days, will take place. This will include public reharsals, a spatial instalation of the interactive cube, a workshop for up to 40 participants, many short theatrical interventions and the main performance. <\/strong><\/p>\n

TECHNICAL RIDER >><\/a><\/strong><\/strong><\/h3>\n

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\n<\/strong><\/strong><\/p>\n

Recordings of two smaller actions created as part of the Invasions project in cooperation with Ja\u0161a Mrevlje and Sweet House Productions:<\/p>\n


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<\/p>\n

<\/p>\n

<\/object>
\nDvorni bar<\/a><\/strong>
\n<\/a><\/em><\/div>\n
aaa<\/span>
\n<\/em><\/div>\n
<\/object>
\nNight Alien invasion<\/a><\/strong>
\n<\/a><\/em><\/div>\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

Elektri\u010dne invazije so niz gledali\u0161kih posegov v javni prostor, s katerimi mlada produkcijska skupina Ljud nadaljuje…<\/p>\n","protected":false},"author":3,"featured_media":0,"parent":9,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/www.ljud.si\/slo\/wp-json\/wp\/v2\/pages\/203"}],"collection":[{"href":"https:\/\/www.ljud.si\/slo\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.ljud.si\/slo\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.ljud.si\/slo\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.ljud.si\/slo\/wp-json\/wp\/v2\/comments?post=203"}],"version-history":[{"count":22,"href":"https:\/\/www.ljud.si\/slo\/wp-json\/wp\/v2\/pages\/203\/revisions"}],"predecessor-version":[{"id":211,"href":"https:\/\/www.ljud.si\/slo\/wp-json\/wp\/v2\/pages\/203\/revisions\/211"}],"up":[{"embeddable":true,"href":"https:\/\/www.ljud.si\/slo\/wp-json\/wp\/v2\/pages\/9"}],"wp:attachment":[{"href":"https:\/\/www.ljud.si\/slo\/wp-json\/wp\/v2\/media?parent=203"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}